celebrity gossip of 2010 commander conquer 4 lady ga ga video rumors hollywood gossip
vedios of michael jackson phamtom of the opera teenage dream lyrocs american life of an american teenager
Singer says her collaboration with Britney Spears and Nicki Minaj made a 'supergroup of three hot, strong women.'
By Jocelyn Vena, with reporting by Matt Elias
Ke$ha
Photo: MTV News
Earlier this week, Britney Spears, Ke$ha and Nicki Minaj dropped their femme-fatale-friendly remix of the Spears club track "Till the World Ends." The already fun song got super-charged thanks to Minaj's cutting verses and Ke$ha's recognizable vocals.
"I'm a massive fan of both the ladies I share the track with," K told MTV News on Wednesday at the ASCAP Pop Music Awards. "I wrote 'TTWE' for Britney with [producers] Dr. Luke and Max [Martin] and she killed it and I loved it, but I just thought a supergroup of three hot, strong women could just take over the airwaves."
Ke$ha went on to give props to both the ladies. "I'm such a massive fan of Britney and I'm such a massive supporter of Nicki and a fan, and chicks sometimes don't team up. I don't know why, but I'm, like, huge on the girl power, so I just wanted to make a power girl track take over."
The remix quickly won praise from fans who seem to think the new features step up the song's game. "You know, with the three of us, I wasn't necessarily surprised [people like it] because I'm such a massive fan of Nicki Minaj and obviously with Britney I'm a fan of it, [taking] myself out of the equation," she said. "I'm just happy people like it."
So did Ke$ha (who once sang backup for Spears) feel any pressure writing a song for Britney? "There was no pressure. Writing for somebody else is really fun 'cause I consider myself a songwriter first and foremost," she explained. "So it was so much fun to put my brain in the sexy Britney Spears brain and express myself almost as if I were possessed by her."
Related ArtistsSource: http://www.mtv.com/news/articles/1662875/kesha-britney-spears-til-the-world-ends-remix.jhtml
lyrics to tennage dream famliy fued firework by katy wheel of fourtun
... in Brooklyn!
Bev has decided to wear an asymmetrical fascinator to celebrate Kate and Wills' big day, while Mary opted for a hat with a little tropical flavor.
Cheerio!
(By the way, this wasn't an easy photo to get:)
Source: http://www.prettyinthecity.com/blog/2011/4/29/its-a-royal-affair.html
black celebrity rumors new jersy housewifes the phanto of the opera whole movies online
Source: http://www.mtv.com/overdrive/?artist=1270&vid=551930
phantim of the opera hip songs ohantom of the opera lady gaga vidieo
'I've listened to their music since I was a child,' says the R&B diva, who recorded 'Stairway to Heaven' and 'Whole Lotta Love.'
By James Montgomery, with reporting by Larry Carroll
Mary J. Blige
Photo: MTV News
You wouldn't peg Mary J Blige as the black-light-and-tapestry sort, but, as has become readily apparent in recent weeks, she absolutely loves Led Zeppelin.
In early February, reports began circulating that Blige had re-recorded Zeppelin's classic "Stairway to Heaven," working with Travis Barker, "American Idol" judge Randy Jackson and guitarist Steve Vai on the track, which is slated to appear on the international reissue of her Stronger With Each Tear album, due Monday.
But after she had recorded "Stairway," Blige continued to get the Led out, covering another Zeppelin classic — the thunderous "Whole Lotta Love" — for the album too. And when MTV News caught up with her on the Essence Black Women in Hollywood red carpet, she told us all about channeling her inner Robert Plant for the tracks, a process that came much easier than you'd probably imagine.
"I did Led Zeppelin's 'Stairway to Heaven' and 'Whole Lotta Love' — it's crazy," she said. "I am a Led Zeppelin fan. I'm not going to say I've been to their concerts, but I've listened to their music since I was a child, and it's always moved me, especially 'Stairway to Heaven,' and 'Whole Lotta Love' is just fun."
Blige also said she recorded another new song — a "club record" called "I Can't Wait" — for the re-release. And while it's only slated to hit shelves outside the U.S., she hopes her fans will get a chance to hear all the new songs pretty soon.
"I want y'all to hear it," she laughed.
Related ArtistsSource: http://www.mtv.com/news/articles/1633563/mary-j-blige-dishes-on-her-crazy-led-zeppelin-covers.jhtml
celebrity rumors 2010 phantom of the opeara dvd releases tyler perrty
' 'Judas' is a metaphor and an analogy about forgiveness and betrayal,' Gaga says of song and video.
By Jocelyn Vena
Lady Gaga
Photo: Michael Loccisano/ Getty Images
Next week, fans will finally get to see Lady Gaga's "Judas" video, when it premieres during "American Idol." But while we wait, Gaga opened up about the video in a recent interview, giving fans a better sense of what they might see in the clip.
"Well, the video, in essence, suggests that forgiveness and betrayal are hand in hand," she told MSN Entertainment in Canada. "The video puts destiny above all things and postures that the mistakes in your life are in fact not mistakes at all, they are just part of your overarching potential and your destiny."
Though she didn't want to give away the full concept, Gaga did describe the clip's biblical and cultural references. "Well, I want to allow the video to speak for itself, but I will say that the theme of the video and the way that I wanted to aesthetically portray the story was as a motorcycle Fellini movie, where the apostles are revolutionaries in a modern-day Jerusalem. And I play Mary Magdalene, leading them into the town where we meet Jesus, and I will leave the rest for you to see," she teased further about the video, which she co-directed with Laurieann Gibson. "But it's meant more to celebrate faith than it is to challenge it."
While there has been some debate about the song's use of religious icons, Gaga said she doesn't mean for it to be a direct interpretation of Bible stories. "Well, I wouldn't necessarily say that my schooling [in Catholic school] informed the songwriting on that record in particular. 'Judas' is a metaphor and an analogy about forgiveness and betrayal and things that haunt you in your life, and how I believe that it's the darkness in your life that ultimately shines and illuminates the greater light that you have upon you," she said.
"Someone once said to me, 'If you have no shadows then you're not standing in the light.' So the song is about washing the feet of both good and evil, and understanding and forgiving the demons from your past in order to move into the greatness of your future," she continued. "I just like really aggressive metaphors — harder, thicker, darker — and my fans do as well. So it is a very challenging and aggressive metaphor, but it is a metaphor."
Gaga said that Born This Way will be more about the religion of pop culture than anything taught in Sunday school.
"Well, I'm fascinated with iconography, and I'm fascinated with the way that iconography is taught in terms of education to the world, whether it be through institutionalized religion or through symbolism or through movies or through music," she said.
"In a lot of ways it's about faith and hope, but not in the religious sense," she added. "It's about faith and hope in culture, especially in a time all over the world where many are in need of hope, in need of understanding, in need of love, in need of lack of prejudice, in need of no judgment, in need of acceptance. How can we look to culture for faith?"
Related ArtistsSource: http://www.mtv.com/news/articles/1662707/lady-gaga-judas-music-video.jhtml
teenage dream dream wheel of fouture now celebrity gossip gossip girl season 4 gossip
Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff
Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."
Related Videos Related ArtistsSource: http://www.mtv.com/news/articles/1604582/plantkrauss-win-album-year-grammy.jhtml
teenage dream letras teenge dreams secret life of the teenager the pilars of earth
'She was like a little kid,' the 'Big Fat Bass' producer recalls to MTV News of giddy, 'giggling' Spears.
By Jocelyn Vena, with reporting by Sway Calloway
will.i.am
Photo: MTV News
When will.i.am hit the studio with Britney Spears for her Femme Fatale track "Big Fat Bass," the producer and Black Eyed Peas frontman said the singer was completely engrossed in the recording process.
"[I discovered] her love for music. I never seen anyone, like, come alive, full of excitement and giggling and laughing behind the mic," will recalled to MTV News. "She was like a little kid when she was recording the song and it just brought the whole atmosphere, it changed the whole atmosphere when someone really loves music. So it was great working with her."
Spears expressed a similar sentiment about recording her chart-topping album during her recent "I Am the Femme Fatale" MTV special, which featured a cameo by will.i.am, who was finishing up the party track at the time.
"When you're in the studio, you're just really focused, you're really in your head and in your ears and on the notes," she explains in the show. "And when you're performing, it's more a connection on the outside and more of — like a tiger and more in your body."
Both Brit and will are now industry vets so the BEP singer said he didn't have much advice for the star.
"When someone's excited to go out and just do it, what advice? You don't need no advice. She's just turned on right now. She is [like], 'I like this part right here.' When I say [on the song], 'You all better get ready for the kick drum,' she was already anticipating what she was going to do onstage when that beat broke down," he explained. "Adding that type of perspective ... when we we're recording it, you don't need to give nobody [like Britney] advice."
What's your favorite Femme Fatale track? Tell us in the comments!
Related Videos Related PhotosSource: http://www.mtv.com/news/articles/1662289/britney-spears-will-i-am-big-fat-bass.jhtml
britney spears hollywood gossip celebrity gossip 2010 the book of eli book phantom of the operat
Will Ferrell Slams “Idiots” At Paramount Studios
Actor Will Ferrell is pissed at the big-wigs at Paramount, who he claims are refusing to make “Anchorman 2″. Actor Will Ferrell was ready to [...]
Will Ferrell Slams “Idiots” At Paramount Studios Stupid Celebrities Gossip
Source: http://feedproxy.google.com/~r/stupidcelebrities/~3/aYZUFuMjAjs/
teenage dream lyr miley cyrus picture from perez hilton pillars of the earht latest gossip hollywood
Jay A. Fernandez
real housewives of new yersey tinage dream gossip girl 4 4 tennage dreams lyrics
Foursome is joined by special guests and tons of lights for smash-hit medley.
By Mawuse Ziegbe
Black Eyed Peas perform during the Super Bowl XLV halftime show
Photo: Getty Images
The Black Eyed Peas promised a party at the Super Bowl halftime show on Sunday (February 6), and the pop supernovas definitely delivered, with a performance teeming with lights, dancers and surprise appearances from celebrity pals.
Following a Chatter.com commercial that showed animated versions of the Peas showing off their social-media skills, the group kicked things off with their 2009 smash "I Gotta Feeling," descending from the ceiling on illuminated platforms onto a stage surrounded by a cluster of dancers clad in white bodysuits. The foursome led the team of fist-pumping troops in "Tron"-like getups, with Taboo sporting an outfit covered in flashing lights, will.i.am rocking a shiny hairpiece, Apl.de.ap wearing huge bright studs and Fergie vamping it up in bling-laden shoulder pads.
When the speaker-busting bass of "Boom Boom Pow" dropped, the dancers dispersed across the field to create arrow-shaped formations as the glow-in-the-dark lights on their suits illuminated the stadium. Then rumored surprise guest Slash of Guns N' Roses rose from below the stage for a "Sweet Child O' Mine" duet with Fergie. The GNR great rocked a finger-searing solo in a studded version of his signature black top hat as more angular platforms and dancers moved across the gridiron. The platforms were bearing scores of marching-band musicians who blasted their horns and pounded away on their drums as the Peas went into "Pump It" and blue lights splashed across the production.
Quick streams of fog heralded the arrival of the Peas' second surprise guest, Usher, who swooped in on a long chain to bust out his will.i.am-assisted joint "OMG." Rocking a sparkly collar on an otherwise all-white ensemble, the R&B hitmaker cranked out several counts of energetic choreography, enlivening moves from his "OMG" video and at one point jumping over Will and landing in a split.
A spray of pyro ushered in the collective's breakout 2003 hit "Where Is the Love?" as the oddly shaped platforms spelled out the word "Love" in bright-red letters. The team of dancers, which appeared to have multiplied to over 100, formed hearts across the field as will updated the lyrics of the smash with lines like, "Obama, let's get these educated."
Then the group jumped ahead to their most recent single, 2010's "The Time (Dirty Bit)," as several back up hoofers rocking cubed helmets joined the Peas onstage and dancers lined up along the gridiron to simultaneously bust out the Running Man, a move which drew cheers from the crowd.
The platinum-selling Peas wrapped up the performance with a reprise of "I Gotta Feeling," as the quartet triumphantly signed off amid of blitz of fog, firepower and flashing lights.
Ripping the halftime show was clearly a touching moment for will, who tweeted beforehand, "Me and apl started the peas when we were 16 yesterday we were dreamin now were livin it. Wow. I'm not crying out of sadness or nervousness its joy and pride and memories and the journey."
And once the crew left the stage, the frontman was not only proud, but pumped. "That was so freakin sick," he wrote. "Wow...!!!"
What did you think of the Black Eyed Peas' Super Bowl performance? Let us know in the comments!
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1657356/black-eyed-peas-usher-slash-super-bowl.jhtml
hawaaii five o secret life teenager bank jop rumors on celebrities
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
Related Videos Related Photos Related Artiststeeage dream lyrics juicy celebrity hollywood the pillars of the eath true blood ep 3
'People aren't going to be cheering for me in this film,' he tells MTV News of his role in the prequel.
By Eric Ditzian
Tom Felton in "Rise of the Planet of the Apes"
Photo: 20th Century Fox
On Wednesday morning, Tom Felton walked us through "Harry Potter and the Deathly Hallows, Part 2" as part of MTV News' Summer Movie Preview. Now, Felton continues the season's blockbuster sneak peeks with his insights into "Rise of the Planet of the Apes," the new franchise film in which he stars, which both reboots the mythology and provides a prequel to the story first introduced in the late 1960s.
The new, Rupert Wyatt-directed film features James Franco as a scientist testing an Alzheimer's cure on our simian friends. But an unexpected mutation leads to a super-smart ape population, which spells trouble for the human race. Felton plays the son of the owner of a facility in which the apes — CGI creations based on motion-capture technology from the digital effects house behind "Avatar" — are kept. Calling us up from his home in the U.K., Felton discussed his favorite scenes in the film, what it's like to work with actors in mo-cap suits playing apes and how his character fits into the overall story.
MTV: There'd been basically radio silence on "Apes," and then photos and video started to roll out a few weeks ago, followed by the trailer, which got a very positive reaction.
Tom Felton: Yeah, through Twitter I could tell the reactions were good. And just my own reaction as a fan, when I see a trailer like that, I get very excited. I watched it a hundred times. The special effects are ridiculous. The first question when I showed it to my friends was, "Wow, how did they get the monkeys so well trained?" I'm like, "None of them were real!" It's quite weird to see so much CG effects in the real world, not some computer-generated world like "Avatar."
MTV: It was also nice to see the tone wasn't jokey but rather dark and serious.
Felton: It was quite dark. I love that. A lot of people, when you say "Apes," they think of Tim Burton's one and [think] that is what this one is going to be like. It couldn't be further from the truth. This movie is set in the world that we know, rather than some alien-like planet. It's not that it's scary, but it is so much more realistic. There's a real sense that it could actually happen
MTV: This is what would happen if you put James Franco in charge of a lab of apes.
Felton: Oh, you know it. You know it! All hell would break loose.
MTV: It must also be nice to see yourself in a movie without Draco Malfoy's bleached-blond hair.
Felton: It's funny you say that, because the first time we went out to Vancouver for the screen tests, they had me there in the outfit and [director] Rupert was like, "I like it, but you need blond hair. I need you to look Californian." I was like, "Seriously? Really?" He was like, "Yes!" And I was like, "OK, if that's what you want." Then he digged me in the ribs and [said] he was just winding me up. So we got off to a good start, me and Rupert. But he was the first one to say we want you looking as different as possible. That was nice, because he wanted me based on what he'd seen previously in "Potter" but also something completely different.
MTV: Is there one scene that you're particularly excited about?
Felton: There were so many. You know, I'm used to "Potter" secrecy, but this is even more so. They've got me under lock and key on this one. There's no book, so no one knows the story. I had some great one-on-one scenes with Andy Serkis, who plays the lead ape, Caesar. Those were amazing, because not only was he doing the body movements flawlessly, but also facial expressions and sounds.
MTV: Was it always guys in motion-capture suits or did you ever have to act opposite a tennis ball or the thin air?
Felton: It's such a strange system. They film it all with the stunt performers who have learned for six months how to move like an ape. It's actually quite scary, watching a dozen men bouncing around the room like apes. They'd film that three times, then we'd film one blank where it's just the humans, then they match up stuff. They have an army of guys with notepads marking all sorts of numbers and graphs and stuff. I don't know how they pull it all off in the end. It's crazy!
MTV: Tell us about your character. You play Brian Cox's son?
Felton: Yeah, when Caesar, our lead ape, gets too big for James Franco's character to look after anymore, they have to put him into a facility. Brian Cox, who plays my dad, owns it, and I work there. Needless to say, I'm supposed to be looking after the apes, but I really don't do that job very well. I don't get on well with them and I'm not that friendly with them. I'm kind of what instigates Caesar's revolt against humans. Before that, he only knew James Franco's character. He thought all humans were going to be friendly and nice. It's through my father and my character that he learns the perils of humanity and how bad we really are.
MTV: So, after Draco, you play another bad guy?
Felton: Well, he's not a good guy. People aren't going to be cheering for me in this film, either. It's villainy, but on a different level.
It's Summer Movie Preview Week, and MTV News will be bringing you exclusive interviews, clips and photos for the most anticipated films of the coming months. Get ready to gorge on inside looks at "Captain America," "The Hangover Part II," "X-Men: First Class," "Cowboys & Aliens" and more.
Check out everything we've got on "Rise of the Planet of the Apes."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related Videos Related PhotosSource: http://www.mtv.com/news/articles/1662827/rise-of-the-planet-of-the-apes-tom-felton.jhtml
hills season new film of zac efron ddaily show selena with miley
Singer covered songs ranging from classic 'Pleasure Principle' to 2008's 'Feedback' at New York show.
By Vaughn Schoonmaker
Janet Jackson (file)
Photo: Christopher Polk/ Getty Images
NEW YORK — Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set of her greatest hits at Radio City Music Hall. Monday night marked the last of three sold-out shows at the historic venue on her monumental Number Ones: Up Close and Personal Tour.
Up-and-coming boy band Mindless Behavior opened the show with songs including "#1 Girl," "Future" and their debut single, "My Girl." With their Usher-esque dance moves and shouts like "Where the ladies at?" the boys brought the tween girls out of hiding, judging by the shrill screams escaping various corner of the music hall.
At 9:00 sharp, the lights went down and Janet's fans were on the edge of their seats, watching music videos for "The Best Things in Life Are Free" and "Rhythm Nation" projected on big screens across the venue. A small shadow drifted toward center stage, and when the colorful lights came up, Jackson, wrapped in a shoulder-padded catsuit, complete with slick short hair, blasted into "The Pleasure Principle," dancing as hard and intensely choreographed as she did when the song first came out in the 1980s.
With barely a spare second between songs, Janet dazzled her way through her biggest hits, including "Miss You Much," "All for You" and "Nasty," and more recent hits like 2008's "Feedback."
Videos displayed during Jackson's costume changes included vintage clips from "Diff'rent Strokes," a funny scene from "Poetic Justice" where Jackson slyly rejects the advances of Tupac Shakur's character, and a rather heavy scene, as Jackson's character in "Why Did I Get Married" destroys her husband's house with a golf club, screaming hysterically.
Considering the tough couple of years the Jackson family has faced, the dark moments in the video seemed fitting, and everyone was beside themselves with bittersweet joy when Michael Jackson's face popped up on the big screen and she performed their hit single "Scream."
Janet emerged for her encore in a tight white one-piece disco suit, and performed "Diamonds," "Make Me" and "Together Again," which appeared to be the biggest hit of the evening. As Jackson graciously bowed out, her straight face transitioned into a smirk, suggesting that despite the hard times she has experienced recently, we can expect to see this singing and dancing pop legend shine far into the future.
"Its amazing!" Janet fan Elena Mercantini gleamed afterward. "It's like she's still 20 years old!"
"She's hot, she's amazing and she's still got it after all these years" added Alison Klinger of Long Island. "Best concert I've ever been to!"
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1660385/janet-jackson-radio-city-concert.jhtml
celebrity rumors hollywood lyrics tennage dream teenage dream ylrics new dvd relieses
Lorenzo Lamas Weds Actress Shawna Craig (Photos)
Actor Lorenzo Lamas has taken his fifth walk down the aisle, marrying soap opera actress Shawna Craig. Lorenzo Lamas, 53, tied the knot with “The [...]
Lorenzo Lamas Weds Actress Shawna Craig (Photos) Stupid Celebrities Gossip
Source: http://feedproxy.google.com/~r/stupidcelebrities/~3/owP8Nk5yBRo/
celebrity rumors 2010 phantom of the opeara dvd releases tyler perrty
Source: http://feedproxy.google.com/~r/pinkisthenewblog/~3/pe8_qDywvlA/
gossip girl sesong 4 find lryics phantom of the opera phantom of the oprera
Leaked pictures show diva in an elaborate headdress, surrounded by female 'soldiers.'
By James Montgomery
Beyoncé on the set of her "Girl" music video
Photo: Fame Pictures
On Tuesday, Beyoncé fans went batty when photos of the Queen B — reportedly taken on the set of her brand-new music video — began making the rounds. The blurry snaps show B rocking a fierce faux-hawk, white jumpsuit and sunglasses, reportedly Givenchy couture (like there was any doubt) and, according to fan sites like BeyonceDaily, are from the shoot for a song called "Girl."
Aside from that, details remained scarce ... until Wednesday (April 13) that is, when even more on-set pics hit the Net. In the new photos, Beyoncé stands in a smoky, post-apocalyptic war zone, wearing an elaborate headdress and holding a battle flag aloft (and it sure looks like said flag is emblazoned with a big "B"). She's surrounded by an army of dancers, each of whom is dressed in what could charitably be called "Les Misérables" chic, their fists thrust triumphantly in the air.
It's not exactly clear if the photos are taken from the set of "Girl" or, as some reports suggest, they're from another video shoot, supposedly for a song called "'Till the End of the World." Regardless, Beyoncé is clearly up to something, and her flurry of activity only lends credence to a report in Australia's The Daily Telegraph that she'll be releasing the follow-up to her massive I Am ... Sasha Fierce in late June.
When MTV News last spoke to Beyoncé, she told us she was aiming to bust barriers with the new album, proclaiming that she was drawing inspiration from "every type of genre."
"I'm not in a box," she said. "It's not R&B. It's not typically pop. It's not rock. It's just everything I love all mixed together in my own little gumbo of music."
What do you think of Beyoncé's video-set photos? Tell us in the comments!
Related ArtistsSource: http://www.mtv.com/news/articles/1661908/beyonce-girl-new-video.jhtml
teenage dream ylrics new dvd relieses charlie st coloud britney spears hollywood gossip
Source: http://feedproxy.google.com/~r/pinkisthenewblog/~3/eIkCqrLSiQQ/
hills season new film of zac efron ddaily show selena with miley
MTV News will revisit Baz Luhrmann's 2001 movie musical Monday.
By Jocelyn Vena, with reporting by Kara Warner
Vanessa Hudgens
Photo: MTV News
Vanessa Hudgens knows the power of the movie musical. She starred in two uber-successful "High School Musical" movies and played Mimi in "Rent." So, if anyone can speak to the undeniable influence of Baz Luhrmann's 2001 movie musical masterpiece, "Moulin Rouge," it's her.
"Oh my goodness! It was just a beautiful, very specific look that I feel like everybody could completely submerge themselves into," she told MTV News about the film before Monday's upcoming "Moulin Rouge at 10: A Spectacular Spectacular MTV News Event." "And it was fun, and it was thrilling, and your heart just went out for these characters. I fell in love with the movie, and I have not stopped watching it since."
Hudgens' "Sucker Punch" co-star Jena Malone immediately drew comparisons between "Moulin Rouge" and their equally fantastical flick, thanks to their musical scores. "It's an interesting segue because Marius [de Vries] also did the music for 'Moulin Rouge' and he did the music for 'Sucker Punch,' and he does such crazy abstractions," she said. "I mean, Baz Luhrmann's incredible."
MTV News will reunite Luhrmann, and the movie's stars, Nicole Kidman and Ewan McGregor, on Monday at 3 p.m. ET on MTV.com. The director and actors will be joined by co-star John Leguizamo, who played artist Toulouse-Lautrec, and Catherine Martin, who won the Oscar for costume design and art direction. Hosted by MTV News' Josh Horowitz, the live stream will include special appearances and live interviews while looking back at how the film came to be and how its legacy continues to grow.
Don't miss "Moulin Rouge at 10: A Spectacular Spectacular MTV News Event" on Monday at 3 p.m. ET on MTV.com! Get in the conversation by tweeting @MTVNews with the hashtag #AskMoulin.
Related ArtistsSource: http://www.mtv.com/news/articles/1662993/vanessa-hudgens-moulin-rouge.jhtml
the latest gossip in hollywood boys on flowers selena or miley ga ga beyonce
the phanom of the opera lyrics to tennage dream famliy fued firework by katy
Singer Keyshia Cole’s Druggie Mom Frankie Lons Arrested
R&B singer Keyshia Cole’s mother, Frankie Lons, has been jailed for violating probation and for possessing drug-related items. Frankie Lons, who appeared on the show [...]
Singer Keyshia Cole’s Druggie Mom Frankie Lons Arrested Stupid Celebrities Gossip
Source: http://feedproxy.google.com/~r/stupidcelebrities/~3/7B8fbMbIB90/
justin bieber vieos hilton gossip blog star the force unleashed 2 television movies online
